Breeze driftin’ on by

Nina Simone’s rendition of “Feeling Good” is a tour de force in vocal dynamics and emotive expression, exuding an energy that is both powerful and deeply personal. The song, written by English composers Anthony Newley and Leslie Bricusse for the musical The Roar of the Greasepaint – The Smell of the Crowd, is certainly no stranger to covers. However, Simone’s 1965 version, infused with her distinct style and interpretation, is often regarded as the definitive take on this classic.

The mid-60s were a transformative period, not only in the world of music but socially and politically as well. Civil rights movements, demands for social reforms, and an overall atmosphere of change were sweeping across many parts of the world, notably the United States. Simone, having established herself as not just a gifted musician but a fierce civil rights activist, was experiencing this era in all its intensity. “Feeling Good” becomes a reflection of this milieu; a beacon of hope and optimism amidst times of uncertainty. With lyrics like “It’s a new dawn, it’s a new day, it’s a new life for me”, Simone’s version took on a sense of rejuvenation and personal empowerment, making it more than just a song – it was a statement.

In her performance, Nina Simone encapsulated the very essence of soul, jazz, and blues, genres rooted in the raw expression of human emotion. Her voice, alternately smoky and powerful, conveyed the full depth of the song’s message. The arrangement, too, with its initial sparse instrumentation building to a full, vibrant orchestration, further intensified the mood she crafted. While “Feeling Good” is a testament to Simone’s unparalleled artistry, it also stands as a testament to her resilience, passion, and the transformative power of music during one of history’s most tumultuous periods. It beckons listeners, then and now, to find solace in the possibility of a brighter tomorrow.